Talking About Death

Many of us are uncomfortable talking about death, especially to preschoolers. Of course, the subject comes up quite frequently, because, well, death walks among us. 

Some of us obsess over death, our own or that of others. Even those who are convinced that they will spend eternity amongst the angels tend to avoid thinking about death more than can be helped. It comes for all of us. When children ask us questions, most of us, most of the time, reply as best we can, then hurry on from the grim subject, often following it up with a joke or ice cream or something else to turn attention back to the sweetness of life.

I was brought up with the Lutheran version of heaven and hell, although we didn't talk much about either. This was just the answer to the question. You want to avoid the bad place and that's where it ended. It always came up when someone died. The living assure one another that they are in a "better place," and that's where it ended.

I was probably about eight when I overheard an adult joke that shifted things for me. The recently departed found themselves in a place in the clouds where there was no fear or pain. All their needs and desires were met before they were even needs or desires. The air was full of wondrous fragrance and beautiful music. At first they were delighted, but as time passed and nothing changed, they began to grow restless. One of them mentioned this to the deity in charge, "I thought heaven would be more interesting." The deity replied, "Who said this is heaven?"

Try as I might, going forward I couldn't conceive of a heaven that would not eventually become tedious. Eternal life sounded like a particularly devious vision of hell. 

I once had a girlfriend who would shut me up whenever I talked about death. We had intimate, honest conversations about everything else, but death was off the table. One time, however, I provoked her to the point that she confessed her fear that death meant that you somehow floated above it all, seeing and hearing life continuing without you, but that you were otherwise entirely disconnected from it. She feared that death would be eternal loneliness. Intellectually, she understood that this was unlikely, but death talk stirred up her fear.

The thing is, it wasn't just her. Few people I knew growing up wanted to talk about death, except through art.

The Bible offered little beyond what I already knew, but art, and literature in particular, provided ways of thinking about death that allowed me to actually consider about what it might mean. In Thomas Mann's novel Joseph and His Brothers, I was introduced to the idea that while we embodied humans may cling to life, the individual atoms in our bodies ache for their release back into their universe. And that is the joy, the heaven, of death, that we return to a perfect oneness with all that is, the opposite of my girlfriend's fear. The only thing that dies is our individual mind, which is the cause of all our misery to begin with. It's the joy of perfect peace and unity.

It was in this same novel that I came to understand that eternal life, as far as we can know, comes from the stories people tell about us after we're gone. How you live directly determines your afterlife. You can be Joseph or Herod depending on your deeds. Your afterlife is for those you leave behind. You, however, are free.

From Fyodor Dostoyevsky's novel Demons (or The Possessed) I learned that my own fear of death was not a fear of death at all, but rather a fear of pain.

“Imagine . . .  a stone as big as a great house; it hangs and you are under it; if it falls on you, on your head, will it hurt you?”

“A stone as big as a house? Of course it would be fearful.”

“I speak not of fear. Will it hurt?”

“A stone as big as a mountain, weighing millions of tons? Of course it wouldn’t hurt.”

“But really stand there and while it hangs you will fear very much that it will hurt. The most learned man, the greatest doctor, all, all will be very much frightened. Everyone will know that it won’t hurt, and everyone will be afraid that it will hurt.”

When my father-in-law died, we were all grateful for the medicine that alleviated, or at least minimized, his pain. He continues to live with us in the stories we tell about him, which are not about his death, but his life. And he is free.

You may or may not take comfort in the same things that give me comfort. That's because we each must ultimately face our own death alone, even if we are surrounded by loved ones. And even if they are free, we are not, and therein lies the real pain of death: the grief of those left behind.

If you work with young children for any amount of time, you will find yourself discussing death. Hardly a day in preschool passes without someone, often joyfully, shouting, "You're dead!" It's a joke, a concept that is not fully formed, a bloodless, painless thing from action movies or fairy tales. Children may explore it from angles that disturb us. I've written here about a group of girls who took turns cooking one another for dinner. There is talk of killing and drowning and being consumed by lava (which I wrote about just yesterday).

When we scold them, when we lower our brows and try to make them see the grimness, we tend to push it underground. Maybe we've learned that death is a taboo topic, but they haven't and they need to explore it. I feel that it's better that it happen on my radar. I don't have answers, only theology and philosophy, but I can listen and help them when they feel afraid. Otherwise, their guesses are as good as mine.

Young children who have any experience at all with nature have already experienced death first hand. Dead insects. Dead worms. We once came across a dead bird while at a local playground. There might be jokes about insects and worms, but this was a moment of reverence. My first instinct had been to usher them away, to protect them from the sight, but they wouldn't have it. They gathered round like we do around a grave, hushed, each alone with their thoughts. Later, when we talked together I answered their questions with "What do you think?" Heaven was the most common prediction.

When my brother-in-law was dying from cancer, I took our two-year-old daughter Josephine with me to visit him in the hospital almost daily over the course of those last few weeks of his life. They delighted in one another. 

When he died, she asked me where he went. I told her, as my parents had told me, about heaven. Actually, the way I phrased it was, "Some people believe that we die and go to heaven," which was my way of telling her the truth. A few days later, she informed me that Chris was in heaven, drinking coffee, playing his guitar, shooting baskets, and "getting heaven ready for us."

I have no certainty about death, let alone an afterlife, but I sought to comfort her because that's what we do with death, we comfort the living. Looking back, I can see that she wasn't asking for comfort, she was asking for information. She was curious and my answer seemed to satisfy her. He died so young, it made no sense, we all suffered the loss, but I found myself wanting to protect Josephine from the sadness.

A couple years later she confessed to me that she no longer believed in heaven. "I think we all get to come back as our favorite animal. I'm going to be a bunny." I'd not discussed reincarnation with her. She may have come to the idea on her own, but it's more likely it came from another child. I told her that this is also what many people believe.

In her book All About Love, bell hooks writes, "I am continually surprised when friends, and strangers, act as though any talk of death is a sign of pessimism or morbidity. Death is among us. To see it always and only as a negative subject is to lose sight of its power to enhance every moment."

I'm not surprised. 

I still fear pain, but, most of the time, as a 64-year-old, I don't fear my own death, although I do sometimes fear the death of the people I love. How will I go on without them? I also wouldn't mind getting to watch Josephine's live continue to unfold, even if it's from that place of my old girlfriend's nightmares.

From my perspective today, I see that the only way to oppose fear is to love people right now. To let them know I love them. To let them love me. Death walks among us, not as a stalker, but as an enhancement to every moment. Death is the ultimate guarantee that life will never become tedious perfection. Death urges us to love right now, to connect right now with that joy of oneness, of peace, of unity. And it whispers to us to strive to live in a way that the stories the world tells about us when we are gone are ones we want told.

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