In Endless Dialog With An Interconnected World

Yoan Capote (detail from Isla, oil, nails, fish hooks, artist's blood)

I often talk about my blogging habit as the core of my reflective practice as an educator. I generally don't sit down and write because I have answers, but rather because something has happened that intrigues me, or challenges me, and I want to understand it better.

Maybe it's a child doing something. Maybe it's something I've read. Maybe it's something someone has said. Maybe it's the state of the world. It starts with an anecdote or quote or phenomenon and this part, the writing, is my best effort at making sense of it. I like writing for publication because knowing that someone might read it, gives me an imagined thinking partner or interlocutor. I write a sentence and wonder how someone might respond. Will they, with reason, scoff, will they doubt, will they be confused, will they be angry or depressed or inspired. They say we shouldn't worry what the other people think, and sometimes that's probably good advice, but I find that if I'm not considering how others will respond, then it's often difficult to think of anything at all.

One of the things I think I've learned from working with young children is that they seem to think best while engaged in play. As developmental psychologist Lev Vygotsky put it, "In play a child is always above their average age, above his daily behavior; in play it is as though he were a head taller than themself."

In this way, my blogging, I think, is a form of play, a way to sustain a thread of thought, not with a specific goal in mind, but rather because I've learned if I'm not rushing toward a conclusion, I'm much more likely to discover connections I could not have otherwise anticipated.

In their book, The Dawn of Everything, David Greaber and David Wengrow, write:

“When we are capable of self-awareness, it’s usually for very brief periods of time: the ‘window of consciousness’, during which we can hold a thought or work out a problem, tends to be open on average for roughly seven seconds . . . the great exception to this is when we’re talking to someone else. In conversation, we can hold thoughts and reflect on problems sometimes for hours on tend. This is of course why so often, even if we’re trying to figure something out by ourselves, we imagine arguing with or explaining it to someone else. Human thought is inherently dialogic. Ancient philosophers tended to be keenly aware of all this: that’s why, whether they were in China, India or Greece, they tended to write their books in the form of dialogues. Humans were only fully self-conscious when arguing with one another, trying to sway each other’s views, or working out a common problem.”

Play is likewise a kind of sustaining dialog, a thread that keeps children engaged without forcing a predetermined destination. This is why it stands in such sharp contrast to normal schooling, which is all about predetermined destinations in the form of "correct answers." Play, like dialogue, is inherently about taking the time to explore questions without the pressure of being judged right or wrong.

In his book Sapiens, historian Yuval Noah Harari argues that Neanderthals, our species' chief hominoid rivals, were individually much more intelligent than individual Homo sapiens. If Neandrathals were like mainframe computers, we are much more like PCs, individually less powerful, but far better connected. This is what our species has evolved to do: to think through, with, and alongside people, places, and things. Our minds are not confined to our brains, but rather come into being through the connections we make.

In other words, thinking is at least as much a social activity as it is a cognitive process. Together we're a genius.

We've evolved in conversation, in argument, storytelling, joking, teaching, debating, writing, and playing. And it seems to me that play is the seed from which it all grows. Play is how we evolved to sustain inquiry. It's how we come to stand a head taller than ourselves. Children do it with blocks, mud, and pretending. Adults do it with ideas, stories, and conversations. In both cases, the activity provides enough structure to keep the thread from dissolving, to keep our minds from distraction, while remaining open enough to be surprised and delighted by what we find; not because it's the right answer, but rather, as Eleanor Duckworth puts it, because it's a "wonderful idea."

When we are free to play, this is what we're doing, moving from one wonderful idea to the next, in endless dialog with an interconnected world.

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