Teaching and learning from preschoolers
“When we are awake," writes neuroscientist Guilio Tononi, "and our eyes are open, they tell the mind what it ought to see . . . but they don’t do the seeing, no, that’s something for the mind alone. For even though the eyes may be shut, as when asleep, or injured . . . the mind still sees, and of its own accord decides what’s to be seen.”
One of my hobbies is to try to understand human consciousness. It’s not necessary to be up to speed on the latest neuroscience in order to be a good educator, especially since the “latest”, by the time it gets to us dilletantes, is already outdated. But I find it fascinating that so many scientists on the cutting edge of research resort to art and poetry in order to explain what they think is true. Tononi, for instance, the developer of the integrated information theory of consciousness (a theory that in some ways "proves" much more ancient knowledge), has written a book called Phi (Φ) based on Italian poet Dante’s The Divine Comedy with a fictionalized Galileo as the protagonist.
The very notion that our minds, not our eyes, are responsible for seeing is mind-blowing. It’s as if reality is too complex and beautiful to be reduced to mere language or the methodology of Western science. Sometimes it can only be understood through art. Indeed, quite often artists (e.g., Walt Whitman) and especially indigenous artists (e.g., Australian aboriginal dot paintings) reveal “sacred knowledge” long before scientists even knew where or how to look.
And, gloriously, we can even discover this phenomenon in the artwork of our own preschoolers, an example of which I shared last week.
Among the legacies of Western science is the notion that adult minds are "superior" to the minds of children. There are differences, of course, but to rank minds, to place adult comprehension over that of young children, to place human comprehension over that of animals, goes against lived experience. The greatest knowledge is understanding that truth, or reality, is a creation of perspectives, not competing with one another, but rather each providing another piece, a reflection, an amplification. Truth is large. It contains multitudes. And each time we add a perspective to our understanding, we ourselves become larger and more multitudinous. And there is always a new perspective with which to play. That is the height of wisdom.
If there's one thing each of them claims not to resemble it's . . . himself. Instead he sets up a model, then imitates it; he doesn't even choose the model -- he accepts it ready-made. Yet I'm sure there's something more to be read in a man. People dare not . . . The laws of mimicry -- I call them the laws of fear. People are afraid to find themselves alone, and don't find themselves at all. I hate all this moral agoraphobia -- it's the worst kind of cowardice . . . What seems different in yourself: that's the one rare thing you possess, the one thing which gives each of us his worth; and that's just what we try to suppress. ~André Gide